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29th September 2012, 09:12 AM
#11
Junior Member
Devoted Hubber

Originally Posted by
jaiganes
Saaindhu saaindhu is a delight and u1 is apt - he is not that great in pengal endraal - but still is effective..
Much of u1 bashing is at best a simple prejudice and not an objective recollection of listening experience - Having said that,
much of what we do with respect to observing and appreciating an art form is highly and intensely 'subjective'.
The composition is a delight for sure but I disagree that yuvan is apt! I asked at least 7 people who have more keen ears than I do in terms of identifying apasruthis. I had a doubt if he was going off key and everyone confirmed it. As for emotion, it's a romantic ballad, not a drunken-revelry song where apasruthis can fit the emotion. The orchestration is so gentle - like suresh wrote in his blog - that it really demanded a soft voice and not coarse voice that yuvan has. And forget musically knowledgeable folks, even generic audience.. like at least 11 of my friends gave a reaction "why spoil such a noise song with such a wrong singer"
I agree that yuvan's coarse voice could be the characteristic that would've suited pengal endral.. But I felt, as much as the choice of yuvan was almost right here, he doesn't match the composition in the 1st half (yuvan's fault IMO). I felt his voice becomes effective, as you rightly said it, from charanam onwards. That's where I felt he got it right.
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29th September 2012 09:12 AM
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