Maestro ilaiyaraaja news & titbits

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Senthilv.com,

Being a raja fan it must have been really very easy for you to oversee things, so just sharing a counter view to your points....

When Raja says "Naan Screen", he doesn't mean film won't happen without him (I assume that's the interpretation taken here). He means, he doesn't know any music, and the film goes through him (Or projects into him) turning into music. If the film is not projected into the frame, there is no cinema but screen is just a tool. Raja also sees himself as tool, that when possessed by appropriate emotions, outputs music. Hence no emotion, there is no film, no music, no Raja. He is not being egotistical here but humble or self-depreciating. He has repeated this point in other forums with different analogies. He just happened to use "screen" analogy here.

Self-depreciating????? wow... are we so blindfolded or born just yesterday? You may want to note his hand gesture when saying "will there be a screen without cinema?" - and then he points to himself saying "music(he) is not what you think, its something that can't be marketed...". I can clearly see his head weighing zillion...gazillion tons. Your posts seems to ignore it. Perfectly understandable when you love the person. I can't say that I love the person as much as I love his music. He trys to be modest yet bearing very heavy weight on his shoulders - comes off inadvertently in every such outings from none other than the man himself.

When I see this video, I feel bad for him. I see him as a true artist, a talent wasted most of the time and caught in a industry, that 99% of time, bereft of artistic value, integrity and respect for craft. The fixation with making a film/music huge hit is nauseating. The bug is with the audience too. We are never satisfied with saying "Great film" or "Great music" or "Great acting". We follow it up with it comments like, it will be super hit, 100 days for sure, etc... How many of us here were interested to find out if NEPV broke the record in sales and sold for high price etc... As if, only that will justify the quality of the music. This notion of huge hit = great film/music is just plain absurd but we all inexplicably get caught up in that notion.

Nowadays I'm trying to harmonize this negative feeling with a counter view... that ppl just care for a filmmaker/producer/musician to succeed and want to help them! But to only work for a Hit or to work on a film or music with a sole notion of making it a hit is bit offensive to the craft you practice. Being a filmmaker and speaking from personal experience, I can say this, whenever I tried to write for market, it sucked or if it was good, it still missed something. Whenever I get angry at something, get bothered by something, or love something deeply, and then tried to expressed it in film, there was always this unexplainable "x" factor that moved ppl and me, more than I can explain.

he is a great artist alright, but What makes you think his talent is wasted? Whatever popularity he's got is what he would've got and deservedly so. Let's not blame the audience for nauseating - his music is spontaneous and such distractions might not intervene. If Raja wants to make music for the sake of just music, there are countless other avenues. NEPV is a movie - involves teamwork. Without GVM, it wouldn't have happened. Let's not kid ourselves here - you being a filmmaker, would you not want your music to be commercially hit so you can be profitable? If a core member of a team doesn't care about profitability and operate in a mind of his/her own, you would arrange him/her a royal departure. Raja music is loved by the masses and therefore roped in by the makers for profits. NEPV isn't a art but a commercial film - make no mistake about it.

It is worth repeating that for Raja, all things begin with story, characters, emotions and ideas. Rest is out of his hand and he cannot control it. He has worked long enough to know, he should not care about the rewards. He has gained this incredible ability to compartmentalize creation of songs and the success that it brings. He does not let lack of success affect his creativity and his process of creation. This is just so hard for any artist, at any level to do. If I'm allowed to go into superlatives, he is not just Isaignani but we could also call him Isaiyogi. Isai is his karma. Now, coming to market? What market???

Karma? what karma?